The choreography and storyline for The Smile Club are inspired by alleged psychiatric practices performed in Budapest, Hungary during the Great Depression. In the wake of the First World War, the city earned a reputation as “The City of Suicides.” A school opened up with a simple goal: to teach the population how to smile. The idea was that this would trigger more serotonin production, and would cure an impoverished city, collectively traumatized by war, of the widespread urge to end their lives. This show empowers audience members with inspiration and the realization that everyone has the ability to directly affect their own well-being as well as those around them.
The Smile Club depicts the mentally ill patients as the heroes of the story and inverts the sanest gaze of the“asylum film” exploitation genre. The choreography depicts a group of people with symptoms of various mental health conditions as they are institutionalized for an experimental treatment. This treatment claims to be about teaching them to re-orient their negativity into more useful, positive thought patterns by teaching them how to smile in reality, it is about teaching them how to mask their true feelings and fake being happy.
After some misadventures ranging from the comedic to the disturbing, they stage a coup and liberate themselves. The Smile Club is not a hardline rejection of the psychiatric complex, nor is it a call for people to abandon their functional treatments-it does, however, offer a less mainstream perspective about mental health: one where the act of laying down autonomy is ultimately the path to liberation. It offers a take on mental health where the path to healing is grounded in a self-acceptance-a foundational rejection of shame. Given the historical moment in which we find ourselves-one where a whole planet has been wrenched from a time of unprecedented freedom and into the greatest health crisis of the last century? The Smile Club is a darkly funny and ultimately uplifting fairy tale about a relevant and fundamentally human question: is happiness something that happens to us, or is it something we create?
Premiered at Festival Quartiers Danses September 17&18 2021 Coproduction Festival Quartiers Danses and supported by
CALQ & CAM
Choreography- Kyra Jean Green in collaboration with the dancers
Dancers: Alexandre Carlos Charles-Alexis Desgagnés Emmanuelle Martin Genevieve Gagné Janelle Hacault Kyra Jean Green Marco Edouard Sara Harton
Film Director-Rehearsal Director: Brittney Canda
Photos by: Damian Siqueiros
Music composed and arranged by: Pascal Champagne
Sampling credits: Coralie Gauthier (Harp)
Lighting Design: Claude Houle
Video Projection: Samuel Renard
Costume/Make-up Design- Damian Siqueiros
Costume Construction- Faustine Bozec
Set Design: Jen Strahl and Dominique Coughlin
Technical Director: Pascal Champagne
Film Production: Telescope Films
Assistant Production Manager: Hunish Parmar
Scriptwriting: Tara McGowan-Ross and Kyra Jean Green
A collaboration filmed with Telescope Films
Special Thank you to
CCOV, Géraldine Lavoie-Dugré, Gabrielle Rousseau, Hannah Surette, Les studios Bain de minuit, Les Ateliers Turcotte, MAC Cosmetics Canada, Modulo Pi , Osmoz-tech / Vincent Pasquier (media server solutions), Maison de la culture Rosemont–La Petite-Patrie, Maison de la culture Notre-Dame-de-Grâce – Botrel, Maison de la culture Marie-Uguay, Monument National, Stéphane Turner, Sung En Kim, Thierry Dumont, Joel Gaudreau, Marouane Ouhnana, Whim W’him, and the Summer Intensive students of 2019 who contributed to the research for this work.